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By forcefully defending her work as her own through a libel suit against publications that ran stories claiming otherwise, and by demanding her rightful recognition in public through her own writing, Hosmer established women as equals to men in the traditionally masculine medium of sculpture. Recent Posts. He likes to point people to a quote by the author Nathaniel Hawthorne, who met Hosmer in Rome, and which provides a candid : "[Hosmer] was very peculiar, but she seemed to be her actual self, and nothing affected or made up; so that, for my part, I gave her full leave to wear what may suit her best, and to behave as her inner woman prompts.

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What sparks the lightning bolt of insight? Then an occurrence took place that might not have surprised Hosmer, who knew how hard it was to stay visible and relevant. A Fruitful Perspective.

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National Portrait Gallery, Smithsonian Institution. For many years, she thrived in her community of expatriate female artists and writers who defied 19th-century expectations to find artistic companionship and inspiration and, if they desired, openly queer relationships.

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More information about text formats. A work of such sublime expression, on such a grand scale, that required power of hand and arm in the carving, could not be created by a woman, her male critics argued. The seven-foot-tall marble sculpture depicts the third-century queen of Palmyra now Syria captured by a Roman emperor and paraded through the streets in chains.

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Leave this field blank. The sculpture fell from sight in the art world. Andy Warhol and silk screen.

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Throughout her career, Hosmer often depicted idealized mythological figures, especially female characters known for their strength and courage. Viewed by enthusiastic crowds and garnering critical praise, it was subsequently bought by a private collector. After deciding at 19 to become a sculptor, a profession in 19th-century America claimed only by men, Hosmer moved in from Watertown, Massachusetts, to Rome, Italy, to pursue her ambition.

How do we come to see with new eyes? Michelangelo and marble. She influenced generations of women artists while earning great success and acclaim throughout her career.

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It was July 6, Your name. Literature can expose us to perspectives strange to us, but our interpretations can also be clouded by familiarity Informal Salutation.

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In this way, she used her artwork as a means of critiquing the social position of women in 19th-century culture. Harriet Goodhue Hosmer unapologetically pursued her ambitions as a sculptor in a field considered inappropriate for women and lived openly as a lesbian during a time of constricted female roles. Related Posts.

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I honor every woman who has strength enough to step outside the beaten path when she feels that her walk lies in another. Austin 2 Comment s.

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The Monster in the Mirror. A groundbreaking artist who lived with great courage in her time, Hosmer continues to serve, through her masterpiece, as an inspiration in ours.

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Yoko Ono and performance. Economic uncertainty.

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Anti-immigrant fervor. Unknown photographer, Harriet Goodhue Hosmer, ca. There she found a more tolerant atmosphere for an independent woman and lesbian. Soon after Henry E. Huntington purchased the San Marino Ranch formerly owned by James DeBarth Shorb inhe learned that many agricultural crops—such as avocados, peaches, and nuts—could be grown What Now, Part 2. Rising class divisions. Some artists have strong associations with specific mediums The Burning of the Old South Church.

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